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Mike Parker stories
Thank you. Everybody has a story about Mike Parker. And he told the best ones himself.
Morisawa Competition 2014
The Morisawa Type Design Competition marks its 30th anniversary, with Font Bureau as a partner.
Sign Painters review
Dyana Weissman reviews the movie Sign Painters, with its mix of history, personalities, and remarkable lettering.
Benton Sans Wide
Benton Sans, Font Bureau’s largest type family, goes wide, to give full coverage in eight wide-ranging weights.
Font Bureau at TypeCon 2012
In Milwaukee, Wisconsin, TypeCon 2012 brings together type designers and graphic designers. And Font Bureau is there.
Brimfield
Ever wonder where your friend the typophile got all those cool letters to decorate their home?
Lending a Hand (or a Face)
Dyana Weissman’s script-in-progress graces the invitations of her friends’ wedding.
Readability Series migrates to retail library
The Readability Series, a set of text families developed for readability in newspapers, is available for retail licensing.
Neue Haas Grotesk available from Font Bureau
Christian Schwartz restores the subtle warmth that Helvetica has lost through fifty years of adaptation and compromises. Brochure
Video: TDC: The Judges Night 2012
Maxim Zhukov moderates a panel with type-design judges Roger Black, Matthew Carter, Paul Shaw, and Erik Spiekermann.
The Boston Globe’s brand integration across media
Bringing print typography to the screen with integrated font families.
Georgia Pro & Verdana Pro: More Widths. More Weights. More Possibilities.
Matthew Carter’s versatile and ubiquitous typefaces for reading onscreen and on paper gain new weights, a new width, OpenType layout features, and a pan-European character set.