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Slab Happy: Trilby reviewed by Paul Shaw

“[T]he serifs remain strong enough that a line of text looks like railroad tracks, a feature that helps draw the reader’s eye along the line of text-and looks cool.”

Paul Shaw reviews Trilby in an article for Print magazine. “Although the sans serif was originally a bastard offspring of the slab serif, the latter has been copying the former for the past 80 years, and Trilby by David Jonathan Ross continues this trend.” Read more…